Translations:Registratie en identificatie van video- en audiotapes bij Damaged Goods voor digitalisering/13/en: verschil tussen versies
Naar navigatie springen
Naar zoeken springen
Nieuwe pagina aangemaakt met '===Determining the method=== PACKED vzw contacted VIAA to see whether Damaged Goods’ audiovisual archive would fit into VIAA’s digitisation projects.' |
Geen bewerkingssamenvatting |
||
| Regel 1: | Regel 1: | ||
===Determining the method=== | ===Determining the method=== | ||
PACKED vzw contacted VIAA to see whether Damaged Goods’ audiovisual archive would fit into VIAA’s digitisation projects. | PACKED vzw contacted VIAA to see whether Damaged Goods’ audiovisual archive would fit into VIAA’s digitisation projects<ref>VIAA is an institution that was set up in late 2012 by the Flemish government. The goal of VIAA is to digitise heritage, to create sustainable digital archives and make them available for education, research and the wider public via public libraries. Today, VIAA does this in the first instance for the audiovisual heritage, but its task not limited to this. In practice, one of the things that this means is that VIAA coordinates large-scale digitisation projects of material from both the broadcasting and the cultural sectors, and also bears the costs of this. The resulting files are stored in its own digital depot. The content partners can manage and use their digitised material via an online system made available to them by VIAA. VIAA itself can make the material available (in a non-exclusive manner) for educational and research purposes, and in public libraries. | ||
</ref>. | |||
Huidige versie van 28 sep 2020 om 15:36
Determining the method
PACKED vzw contacted VIAA to see whether Damaged Goods’ audiovisual archive would fit into VIAA’s digitisation projects[1].
- ↑ VIAA is an institution that was set up in late 2012 by the Flemish government. The goal of VIAA is to digitise heritage, to create sustainable digital archives and make them available for education, research and the wider public via public libraries. Today, VIAA does this in the first instance for the audiovisual heritage, but its task not limited to this. In practice, one of the things that this means is that VIAA coordinates large-scale digitisation projects of material from both the broadcasting and the cultural sectors, and also bears the costs of this. The resulting files are stored in its own digital depot. The content partners can manage and use their digitised material via an online system made available to them by VIAA. VIAA itself can make the material available (in a non-exclusive manner) for educational and research purposes, and in public libraries.